domingo, 19 de abril de 2015

#1 PINK FLOYD 
"THE DARK SIDE OF THE MOON"








DATE OF RELASE:  MARCH 1st 1973

RECORDED: JUNE 1972 - JANUARY 1973 
AT ABBEY ROAD STUDIOS , LONDON


GENRE: PROGRESSIVE ROCK 

LABEL:


PRODUCER: PINK FLOYD
CERTIFICATIONS:
U.K.  9 PLATINUM
U.S.A.  15 PLATINUM
CANADA  2 DIAMOND
NEW ZEALAND  19 PLATINUM
AUSTRALIA  14 PLATINUM
GERMAN  5 PLATINUM
FRANCE  5 PLATINUM
AUSTRIA  4 PLATINUM

SINGLES:

MONEY / ANY COLOUR YOU LIKE
(MAY 7, 1973)
U.S.A.  #13
AUSTRIA  #10
GERMANY  #49

TIME / US AND THEM
(FEB 4, 1974)
 U.S.A.  #101

5 THING YOU NEED TO KNOW ABOUT 
"THE DARK SIDE OF THE MOON"

* Was built on ideas explored in the band's earlier recordings and live shows

The group used some of the most advanced recording techniques of the time, including multitrack recording and tape loops.

remained in the charts for 741 weeks from 1973 to 1988. With an estimated 50 million copies sold

Progressive metal band Dream Theater have twice covered the album in their live shows

Dark Side of the Rainbow and Dark Side of Oz are two names commonly used in reference to rumours (circulated on the Internet since at least 1994) that The Dark Side of the Moon was written as a soundtrack for the 1939 film The Wizard of Oz. Observers playing the film and the album simultaneously have reported apparent synchronicities, 


TEN REASON FOR LISTEN 
"THE DARK SIDE OF THE MOON"

1. SPEAK TO ME (Waters, Mason) 1:13
"I've been mad for fucking years, absolutely years, been over the edge for yonks, been working me buns off for bands..." 

"I've always been mad, I know I've been mad, like the 
most of us...very hard to explain why you're mad, even if you're not mad..."

2. BREATH IN THE AIR (Waters, Glimour, Wright) 2:46
Breathe, breathe in the air. 
Don't be afraid to care. 
Leave but don't leave me. 
Look around and choose your own ground. 

Long you live and high you fly 
And smiles you'll give and tears you'll cry 
And all you touch and all you see 
Is all your life will ever be. 

Run, rabbit run. 
Dig that hole, forget the sun, 
And when at last the work is done 
Don't sit down it's time to dig another one.
 
For long you live and high you fly 
But only if you ride the tide 
And balanced on the biggest wave 
You race towards an early grave

3. ON THE RUN (Waters, Glimour) 3:35
"Live for today, gone tomorrow, that's me, HaHaHaaaaaa!"

4. TIME (Waters, Mason, Wright, Glimour) 7:04
Ticking away the moments that make up a dull day 
You fritter and waste the hours in an offhand way. 
Kicking around on a piece of ground in your home town 
Waiting for someone or something to show you the way. 

Tired of lying in the sunshine staying home to watch the rain. 
You are young and life is long and there is time to kill today. 
And then one day you find ten years have got behind you. 
No one told you when to run, you missed the starting gun. 

So you run and you run to catch up with the sun but it's sinking 
Racing around to come up behind you again. 
The sun is the same in a relative way but you're older, 
Shorter of breath and one day closer to death. 

Every year is getting shorter never seem to find the time. 
Plans that either come to naught or half a page of scribbled lines 
Hanging on in quiet desperation is the English way 
The time is gone, the song is over, 
Thought I'd something more to say


5. THE GREAT GIG IN THE SKY (Waters, Wright, Torry)4:48
"And I am not frightened of dying, any time will do, I 
don't mind. Why should I be frightened of dying? 
There's no reason for it, you've gotta go sometime." 

"If you can hear this whispering you are dying." 

"I never said I was frightened of dying." 

6. MONEY (Waters) 6:23
Money, get away.
Get a good job with good pay and you're okay.
Money, it's a gas.
Grab that cash with both hands and make a stash.
New car, caviar, four star daydream,
Think I'll buy me a football team.

Money, get back.
I'm all right Jack keep your hands off of my stack.
Money, it's a hit.
Don't give me that do goody good bullshit.
I'm in the high-fidelity first class traveling set 
And I think I need a Lear jet.

Money, it's a crime.
Share it fairly but don't take a slice of my pie.
Money, so they say
Is the root of all evil today.
But if you ask for a raise it's no surprise that they're 
giving none away.

"HuHuh! I was in the right!"
"Yes, absolutely in the right!"
"I certainly was in the right!"
"You was definitely in the right. That geezer was cruising for a
bruising!"
"Yeah!"
"Why does anyone do anything?"
"I don't know, I was really drunk at the time!"
"I was just telling him, he couldn't get into number 2. He was asking
why he wasn't coming up on freely, after I was yelling and
screaming and telling him why he wasn't coming up on freely.
It came as a heavy blow, but we sorted the matter out"

7. US AND THEM (Waters, Wright) 7:50
Us, and them 
And after all we're only ordinary men. 
Me, and you. 
God only knows it's noz what we would choose to do. 
Forward he cried from the rear 
and the front rank died. 
And the general sat and the lines on the map 
moved from side to side. 
Black and blue 
And who knows which is which and who is who. 
Up and down. 
But in the end it's only round and round. 
Haven't you heard it's a battle of words 
The poster bearer cried. 
Listen son, said the man with the gun 
There's room for you inside. 

"I mean, they're not gunna kill ya, so if you give 'em a quick short, 
sharp, shock, they won't do it again. Dig it? I mean he get off 
lightly, 'cos I would've given him a thrashing - I only hit him once! 
It was only a difference of opinion, but really...I mean good manners 
don't cost nothing do they, eh?" 

Down and out 
It can't be helped but there's a lot of it about. 
With, without. 
And who'll deny it's what the fighting's all about? 
Out of the way, it's a busy day 
I've got things on my mind. 
For the want of the price of tea and a slice 
The old man died.

8. ANY COLOUR YOU LIKE (Waters, Glimour, Mason, Wright) 3:25

9. BRAIN DAMAGE (Waters) 3:50
The lunatic is on the grass. 
The lunatic is on the grass. 
Remembering games and daisy chains and laughs. 
Got to keep the loonies on the path. 

The lunatic is in the hall. 
The lunatics are in my hall. 
The paper holds their folded faces to the floor 
And every day the paper boy brings more. 

And if the dam breaks open many years too soon 
And if there is no room upon the hill 
And if your head explodes with dark forebodings too 
I'll see you on the dark side of the moon. 

The lunatic is in my head. 
The lunatic is in my head 
You raise the blade, you make the change 
You re-arrange me 'til I'm sane. 
You lock the door 
And throw away the key 
There's someone in my head but it's not me. 

And if the cloud bursts, thunder in your ear 
You shout and no one seems to hear. 
And if the band you're in starts playing different tunes 
I'll see you on the dark side of the moon. 

"I can't think of anything to say except... 
I think it's marvelous! HaHaHa!"

10. ECLIPSE (Waters) 2.03
All that you touch 
All that you see 
All that you taste 
All you feel. 
All that you love 
All that you hate 
All you distrust 
All you save. 
All that you give 
All that you deal 
All that you buy, 
beg, borrow or steal. 
All you create 
All you destroy 
All that you do 
All that you say. 
All that you eat 
And everyone you meet 
All that you slight 
And everyone you fight. 
All that is now 
All that is gone 
All that's to come 
and everything under the sun is in tune 
but the sun is eclipsed by the moon. 

"There is no dark side of the moon really. Matter of fact it's all dark."

ALBUM ART










jueves, 9 de abril de 2015

BEST ROCK ALBUMS OF ALL TIMES
BY ROCKPLACE MASTER
(this list will be increased week to week)


#20 DAVID BOWIE
"THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS"
RCA 1972
01 Five Years
02 Soul Love
03 Moonage Daydream
04 Starman
05 It Ain't Easy
06 Lady Stardust
07 Star
08 Hang On to Yourself
09 Ziggy Stardust
10 Suffragette City
11 Rock 'n' Roll Suicide


#19 LED ZEPPELIN
"LED ZEPPELIN II"
ATLANTIC 1969
01 Whole Lotta Love
02 What Is and What Should Never Be
03 The Lemon Song
04 Thank You
05 Heartbreaker
06 Living Loving Maid (She's Just a Woman)
07 Ramble On
08 Moby Dick
09 Bring It On Home


#18 U2
"THE JOSHUA TREE"
ISLAND 1987
01 Where the Streets Have No Name
02 I Still Haven't Found What I'm Looking For
03 With or Without You
04 Bullet the Blue Sky
05 Running to Stand Still
06 Red Hill Mining Town
07 In God's Country
08 Trip Through Your Wires
09 One Tree Hill
10 Exit
11 Mothers of the Disappeared


#17 JIMI HENDRIX
"ARE YOU EXPERIENCED?"
TRACK 1967
01 Purple Haze
02 Manic Depression
03 Hey Joe
04 Love or Confusion
05 May This Be Love
06 I Don't Live Today
07 The Wind Cries Mary
08 Fire
09 Third Stone from the Sun
10 Foxy Lady
11 Are You Experienced?


#16 PINK FLOYD
"THE WALL"
HARVEST 1979
01 In the Flesh?
02 The Thin Ice
03 Another Brick in the Wall (Part I)
04 The Happiest Days of Our Lives
05 Another Brick in the Wall (Part II)
06 Mother
07 Goodbye Blue Sky
08 Empty Spaces
09 Young Lust
10 One of My Turns
11 Don't Leave Me Now
12 Another Brick in the Wall (Part III)
13 Goodbye Cruel World
14 Hey You
15 Is There Anybody Out There?
16 Nobody Home
17 Vera
18 Bring the Boys Back Home
19 Comfortably Numb
20 The Show Must Go On
21 In the Flesh
22 Run Like Hell
23 Waiting for the Worms
24 Stop
25 The Trial
26 Outside the Wall


#15 THE ROLLING STONES
"EXILE ON MAIN STREET"
ROLLING STONES 1972 
01 Rocks Off
02 Rip This Joint
03 Shake Your Hips
04 Casino Boogie
05 Tumbling Dice
06 Sweet Virginia
07 Torn and Frayed
08 Sweet Black Angel
09 Loving Cup
10 Happy
11 Turd on the Run
12 Ventilator Blues
13 I Just Want to See His Face
14 Let It Loose
15 All Down the Line
16 Stop Breaking Down
17 Shine a Light
18 Soul Survivor


#14 THE DOORS
"THE DOORS"
ELEKTRA 1967 
01 Break On Through (To the Other Side)
02 Soul Kitchen
03 The Crystal Ship
04 Twentieth Century Fox
05 Alabama Song (Whisky Bar)
06 Light My Fire
07 Back Door Man
08 I Looked at You
09 End of the Night
10 Take It as It Comes
11 The End


#13 THE BEATLES
"RUBBER SOUL"
PARLOPONE 1965
01 Drive My Car
02 Norwegian Wood (This Bird Has Flown)
03 You Won't See Me
04 Nowhere Man
05 Think for Yourself
06 The Word
07 Michelle
08 What Goes On
09 Girl
10 I'm Looking Through You
111 In My Life
12 Wait
13 If I Needed Someone
14 Run for Your Life


#12 THE WHO
"WHO'S NEXT"
TRACK 1971
01 Baba O'Riley
02 Bargain
03 Love Ain't for Keeping
04 My Wife
05 The Song Is Over
06 Getting in Tune
07 Going Mobile
08 Behind Blue Eyes
09 Won't Get Fooled Again


#11 RADIOHEAD
"OK COMPUTER"
PARLOPHONE 1997
01 Airbag
02 Paranoid Android
03 Subterranean Homesick Alien
04 Exit Music (For a Film)
05 Let Down
06 Karma Police
07 Fitter Happier
08 Electioneering
09 Climbing Up the Walls
10 No Surprises
11 Lucky
12 The Tourist


#10 THE VELVET UNDERGROUND
"THE VELVET UNDERGROUND AND NICO"
VERVE 1967 
Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, gain attention for its experimentalist performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy.Though a commercial and critical failure upon release, One of the most influential acclaimed rock albums ever.
01 Sunday Morning
02 I'm Waiting for the Man
03 Femme Fatale
04 Venus in Furs
05 Run Run Run
06 All Tomorrow's Parties
07 Heroin
08 There She Goes Again
09 I'll Be Your Mirror
10 The Black Angel's Death Song
11 European Son

#9 BOB DYLAN
"HIGHWAY 61 REVISITED"
COLUMBIA 1965 
Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row". Critics have focused on the innovative way in which Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that in an important sense the 1960s "started" with this album
01 Like a Rolling Stone
02 Tombstone Blues
03 It Takes a Lot to Laugh, It Takes a Train to Cry
04 From a Buick 6
05 Ballad of a Thin Man
06 Queen Jane Approximately
07 Highway 61 Revisited
08 Just Like Tom Thumb's Blues
09 Desolation Row


#8 THE CLASH
"LONDON CALLING"
CBS 1979
London Calling is a post-punk album that incorporates a range of styles, including punk, reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock. The album's subject matter included social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood. The album received unanimous acclaim. London Calling was a top ten album in the UK, sold over five million copies worldwide, and was certified platinum in the United States.
01 London Calling
02 Brand New Cadillac
03 Jimmy Jazz
04 Hateful
05 Rudie Can't Fail
06 Spanish Bombs
07 The Right Profile
08 Lost in the Supermarket
09 Clampdown
10 The Guns of Brixton
11 Wrong 'Em Boyo
12 Death or Glory
13 Koka Kola
14 The Card Cheat
1 Lover's Rock
16 Four Horsemen
17 I'm Not Down
18 Revolution Rock
19 Train in Vain


#7 THE BEATLES
"ABBEY ROAD"
APPLE 1969
Abbey Road is a rock album that incorporates genres such as blues, pop and progressive rock, and it makes prominent use of the Moog synthesizer and the Leslie speaker. Side two contains a medley of nine songs that has subsequently been covered by other notable artists. The album was recorded amidst a more collegial atmosphere than the Get Back/Let It Be sessions earlier in the year, but there were still frequent confrontations within the band, particularly over Paul McCartney's song "Maxwell's Silver Hammer"
01 Come Together
02 Something
03 Maxwell's Silver Hammer
04 Oh! Darling
05 Octopus's Garden
06 I Want You (She's So Heavy)
07 Here Comes the Sun
08 Because
09 You Never Give Me Your Money
10 Sun King
11 Mean Mr. Mustard
12 Polythene Pam
13 She Came in Through the Bathroom Window
14 Golden Slumbers
15 Carry That Weight
16 The End
17 Her Majesty


#6 THE BEATLES
"THE BEATLES (WHITE ALBUM)"
APPLE 1968
Most of the songs on the album were written during early 1968 at a Transcendental Meditation course in Rishikesh, India. Although the group's experience of the course was mixed, the lack of external influences or drugs sparked the band's creativity and they returned to England with around 40 new songs. They regrouped at George Harrison's house, Kinfauns, in May and recorded demos of 26 songs, enough for a double album. The group returned to EMI Studios to record the new material
01 Back in the U.S.S.R.
02 Dear Prudence
03 Glass Onion
04 Ob-La-Di, Ob-La-Da
05 Wild Honey Pie
06 The Continuing Story of Bungalow Bill
07 While My Guitar Gently Weeps
08 Happiness Is a Warm Gun
09 Martha My Dear
10 I'm So Tired
11 Blackbird
12 Piggies
13 Rocky Raccoon
14 Don't Pass Me By
15 Why Don't We Do It in the Road?
16 I Will
17 Julia
18 Birthday
19 Yer Blues
20 Mother Nature's Son
21 Everybody's Got Something to Hide Except Me and My Monkey
22 Sexy Sadie
23 Helter Skelter
24 Long, Long, Long
25 Revolution 1
26 Honey Pie
27 Savoy Truffle
28 Cry Baby Cry
29 Revolution 9
30 Good Night


#5 LED ZEPPELIN
"UNTITTLED" (LED ZEPPELIN IV)"
ATLANTIC 1971 
After the group's 1970 album Led Zeppelin III received lukewarm reviews from critics, Page decided their fourth album would officially be untitled.  Led to the album being referred to variously as the Four Symbols logo, The Four Symbols The Fourth Album, Untitled, Runes, The Hermit, and ZoSo (which was derived from Page's symbol).In addition to lacking a title, the original cover featured no band name, as the group wished to be anonymous and to avoid easy pigeonholing by the press
01 Black Dog
02 Rock and Roll
03 The Battle of Evermore
04 Stairway to Heaven
05 Misty Mountain Hop
06 Four Sticks
07 Going to California
08 When the Levee Breaks


#4 NIRVANA
"NEVERMIND" 
DGC 1991
Produced by Butch Vig, Nevermind was the group's first release on DGC Records. Kurt Cobain sought to make music outside the restrictive confines of the Seattle grunge scene, drawing influence from groups such as the Pixies and their use of "loud/quiet" dynamics. It is their first album to feature drummer Dave Grohl.Despite low commercial expectations by the band and its record label, Became a surprise success in late 1991, largely due to the popularity of its first single, "Smells Like Teen Spirit"
01 Smells Like Teen Spirit
02 In Bloom
03 Come as You Are
04 Breed
05 Lithium
06 Polly
07 Territorial Pissings
08 Drain You
09 Lounge Act
10 Stay Away
11 On a Plain
12 Something in the Way


#3 THE BEATLES
"SGT PEPPER'S LONELY HEARTS CLUB BAND"
PARLOPHONE 1967 
An immediate commercial and critical success, spending 27 weeks at the top of the albums chart in the United Kingdom and 15 weeks at number one in the United States. Time magazine declared it "a historic departure in the progress of music" . It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honour
01 Sgt. Pepper's Lonely Hearts Club Band
02 With a Little Help from My Friends
03 Lucy in the Sky with Diamonds
04 Getting Better
05 Fixing a Hole
06 She's Leaving Home
07 Being for the Benefit of Mr. Kite!
08 Within You Without You
09 When I'm Sixty-Four
10 Lovely Rita
11 Good Morning Good Morning
12 Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13 A Day in the Life


#2 THE BEATLES
"REVOLVER" 
PARLOPHONE 1966
Marked a progression from their 1965 release Rubber Soul and signalled the band's arrival as studio innovators, a year before the seminal Sgt. Pepper's Lonely Hearts Club Band. On release, Revolver was widely recognised by critics as having redefined the parameters of popular music. The album's diverse influences and sounds include the incorporation of tape loops on the experimental "Tomorrow Never Knows", the use of a classical string octet on "Eleanor Rigby", and the Indian-music setting of "Love You To" 
01 Taxman
02 Eleanor Rigby
03 I'm Only Sleeping
04 Love You To
05 Here, There and Everywhere
06 Yellow Submarine
07 She Said She Said
08 Good Day Sunshine
09 And Your Bird Can Sing
10 For No One
11 Doctor Robert
12 I Want to Tell You
13 Got to Get You into My Life
14 Tomorrow Never Knows



#1 PINK FLOYD 
"THE DARK SIDE OF THE MOON"
HARVEST 1973 
The eighth studio album by the English progressive rock band Pink Floyd, released in March 1973.built on ideas explored in the band's earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their work following the departure in 1968 of founder member, principal composer, and lyricist, Syd Barrett. The themes on The Dark Side of the Moon include conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state
01 Speak to Me
02 Breathe
03 On the Run
04 Time
05 The Great Gig in the Sky
06 Money
07 Us and Them
08 Any Colour You Like
09 Brain Damage
10 Eclipse